Manfred Friedrich
© Fotografien: Manfred Friedrich
© Musik: "Himmel auf Erden"
               Komposition von

               Frank Petzold
This paper has been nominated for the Leonardo Award of Excellence 2004.
It can be downloaded as a pdf .-file since December 7th, 2004.
See: Leonardo On-Line: Excellence Award nominees
Eine deutsche Übersetzung dieses Artikels ist auf Anfrage beim Autor erhältlich.

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Volume 36 Number 3 (2003) pages 200 - 206
A R T I S T ' S  A R T I C L E
Polarization Microscopy
as an Art Tool: Border Crossing
between Art and Nature
Manfred Friedrich
ABSTRACT

Until recently, polarisation microscopy has been little

developed as an art tool. It holds, however, an

enormous aesthetic potential. The author first reviews

the theoretical and technical background of the

polarization microscopy and then discusses how select

microscopic structures imaged via polarization

microscopy can be represented according to the artist's

individual aesthetic choices, the most important

of which is color design by interference.

The conscious perception of the picture by the observer

is discussed on the basis of our present knowledge of

cognitive neurosciences. Polarization microscopy leads

to a crossing of the boundaries between nature and the

forms of non-representational painting.
CONTENT

HISTORICAL REVIEW
THEORETICAL AND TECHNICAL BACKGROUND

  Normal and Polarised Light
  Interference Colors
  Polarization Microscopy
  Substances
PHOTOMICROGRAPHY
THE ARTIST, THE WORK AND THE RECIPIENT
THOUGHTS ABOUT THE PICTURES
ARTIST OR NO ARTIST
Examples of different color design
img1
Fig.1, Picture in moderate color
img2
Fig. 2, Etching-like picture
img3
Color Plate B No.1,
Picture in intense color
img4
Color Plate B No.2,
Picture in pastel hues
img5
img6
Color Plate B No.3,
Picture in mainly monochromatic color
Color Plate B No.4,
Picture in darkfield illuminatio
n
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